Browsing Category

Writing

Using Deep Point Of View To Clarify Your Writing

Writing, Writing Tips, Writing Workshop January 15, 2017

The things we wrote in the book planning binder defines a character who has certain parameters. But when you put her in motion…make her take actions, and then put other people in the scene and make her react to the actions that they take you begin to learn more about her. She’s still mousy haired. She still prefers cats to people. She still doesn’t feel worthy of participating in society, of having friends. But now you move one step deeper. How does someone who prefers cats to people, who doesn’t feel worthy of participating in society, of having friends, react when she is face to face with someone who needs her help? What motivates that action? What thought? What feeling? What belief? Showing this on the page, by showing her specific mental or emotional experience allows the full essence of who she is at the deepest level to come through and be fully visible and fully understandable to the reader.

4 Comments

Handling Memories In Fictional Writing

Writing, Writing Tips December 1, 2016

I’ve been teaching a class for OIRW about deep point of view during November. We’re now nearing the end of the class and I’m going over excerpts from participants’ works in progress as part of the class. One of the things that has come up in going over the excerpts is how to best handle memories in fictional writing, so I thought I’d talk a little bit about that for this blog post.

4 Comments

Let’s Talk About Backstory

Writing, Writing Tips September 30, 2016

Those of us who have been writing for any length of time have been warned of the folly of including too much backstory at the opening of the story…and indeed this is good advice. But in this particular Yellow Highlighter Class my suggestions regarding backstory were mostly advising participants to include more backstory or more detail to explain the character’s current situation. What’s with this? It seems totally at odds with the “Thou Shalt Not Backstory Dump” that we’ve all been taught and internalized…. So…let’s take a step back and talk about backstory and see if we can make some sense of it.

No Comments

It’s That Time Again! Time To Register For The March Yellow Highlighter Class

Everything, Writing, Writing Workshop, Yellow Highlighter Class September 4, 2016

Rather than being focused around a given topic (like emotion, plotting, sexual tension, and so on) the classes are focused on giving feedback on actual works in progress that participants post. The feedback isn’t specific to just one area, like emotion, sexual tension or plot points. Instead, the markup highlights weaknesses of many types and offers suggestions for strengthening problem areas. A single markup may address a point of view problem–the need for a beat of silence to break up a line of dialogue–suggestions to strengthen emotional and sexual tension–suggestions to strengthen character motivation–an order problem–miscellaneous verb tense issues–and sentence structuring changes to make the sentence stronger or the flow smoother.

2 Comments

Who’s Afraid Of Purple Prose?

Everything, Writing, Writing Tips September 3, 2016

One of the things that came up in the class was the concern that if we used metaphors and associations with color, texture, movement, resonance, temperature, shape, smell, solidity, and sound to describe emotional experience we’d introduce purple prose into our writing. Since this seems to be a common concern which comes up in many of the classes I teach on emotion, and since just the fear of introducing purple prose might be holding some people back and keeping them from writing strong, emotional experiences for their characters, I thought I’d address that concern here.

4 Comments

It’s Time To Register For February 2017 Yellow Highlighter Class

Everything, Writing, Writing Workshop, Yellow Highlighter Class August 7, 2016

In classes, participants post a 700 word excerpt each day of class and receive a thorough markup of the excerpt each day that class meets. The markups that are given provide the same kind of feedback that I provide to authors that I am editing for publishers prior to publication. In fact, you may see authors who are editing their manuscripts for publication in the class as there are usually authors working on edits for Black Velvet Seductions in the classes.

No Comments