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Avoid Words That Distance The Reader

Everything, Writing, Writing Tips March 18, 2016

On a recent day in a Yellow Highlighter Workshop I wrote the words – “Avoid words that distance the reader” in several places on at least three different excerpts. Many of the authors I work with are at a high level; several of them are already published or are under contract. What this means to me is that this is an area where even high level authors can drop the ball.

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Laurie Answers Carol’s Question About Having Enough Conflict To Sustain The Story

Everything, Writing, Writing Tips October 30, 2015

In essence, a story begins with a conflict…with something that is keeping the hero and heroine apart. When that thing and the secondary things that relate to it are resolved and the characters have made peace, forgiven, achieved personal growth sufficient to allow them to have simultaneous and lasting deep physical intimacy and deep emotional intimacy (basic description of romantic love) and they commit to each other then the story is over. Sometimes it takes two or three pages to achieve satisfactory resolution of the conflict in a short story. In a longer short story it might take significantly more words. In a novel it takes more.

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Establishing The seeds Of Attraction And Conflict In The Romance Novel

Everything, Writing, Writing Tips October 5, 2015

There are some ways of thinking about the various pieces of ideas that your subconscious churns out that will help you understand how the pieces of the story will fit together once you begin the writing. Knowing at the outset how the pieces fit together and what job each idea and each part of the idea plays within the story structure is valuable because understanding these things will allow you to write with fewer starts, stops, and points at which you have to rip out whole chapters and start again.

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Could – A Good Word For Your Final Editing Checklist

Everything, Writing, Writing Tips September 15, 2015

It’s usually stronger to have the character experience things rather than inserting could into the experience. If he is seeing the river then it’s clear he could see it and could is superfluous. A lot of the time when we use could it keeps experiences tethered to the simple and not very interesting and often seems to keep us from going that extra bit further to add a bit of extra detail to the experience the character is having.

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image man and woman engaged in conflict

Inciting Incidents & Intriguing Premises

Everything, Writing, Writing Tips September 15, 2015

This being said, what YOUR READER wants from your opening is an immediate presentation of as many of the important elements of your story as possible. He or she wants to know who the people in your story are, what their conflict is, how much sexual and emotional tension will be present in the story and whether sexual tension or emotional tension will be the more dominant force. They want an understanding of how the story will make them feel. Will it make them laugh, tremble in fear, cry?

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