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Writing Tips

Pacing Is Like A Stepping Stone Path

Writing, Writing Tips March 17, 2017

Pacing is difficult for a lot of authors to get just right. Even when they do get it just right (for the reader) they often still worry about it. They worry whether their pacing in a given story or scene is too fast or too slow. They worry that if they show the thoughts and feelings of the characters they will slow the pace and the story will drag. There is some legitimacy to these concerns. One can have a story in which the pace drags or a story in which things happen quickly and yet the reader isn’t really vested in the outcome.

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How Often Should You Remind The Reader Of The Character’s Conflict?

Writing, Writing Tips March 10, 2017

You shouldn’t have to “remind” your reader of your character’s conflict at all. A conflict which is strong enough to support the story should be there in the character’s psyche, in his world coloring most everything he thinks, says, and does to some degree. It’s not like the character can ever really forget about the conflict. It’s there in the background weighing on him even when he’s trying to focus on other things.

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Using Deep Point Of View To Clarify Your Writing

Writing, Writing Tips, Writing Workshop January 15, 2017

The things we wrote in the book planning binder defines a character who has certain parameters. But when you put her in motion…make her take actions, and then put other people in the scene and make her react to the actions that they take you begin to learn more about her. She’s still mousy haired. She still prefers cats to people. She still doesn’t feel worthy of participating in society, of having friends. But now you move one step deeper. How does someone who prefers cats to people, who doesn’t feel worthy of participating in society, of having friends, react when she is face to face with someone who needs her help? What motivates that action? What thought? What feeling? What belief? Showing this on the page, by showing her specific mental or emotional experience allows the full essence of who she is at the deepest level to come through and be fully visible and fully understandable to the reader.

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Handling Memories In Fictional Writing

Writing, Writing Tips December 1, 2016

I’ve been teaching a class for OIRW about deep point of view during November. We’re now nearing the end of the class and I’m going over excerpts from participants’ works in progress as part of the class. One of the things that has come up in going over the excerpts is how to best handle memories in fictional writing, so I thought I’d talk a little bit about that for this blog post.

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Let’s Talk About Backstory

Writing, Writing Tips September 30, 2016

Those of us who have been writing for any length of time have been warned of the folly of including too much backstory at the opening of the story…and indeed this is good advice. But in this particular Yellow Highlighter Class my suggestions regarding backstory were mostly advising participants to include more backstory or more detail to explain the character’s current situation. What’s with this? It seems totally at odds with the “Thou Shalt Not Backstory Dump” that we’ve all been taught and internalized…. So…let’s take a step back and talk about backstory and see if we can make some sense of it.

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Who’s Afraid Of Purple Prose?

Everything, Writing, Writing Tips September 3, 2016

One of the things that came up in the class was the concern that if we used metaphors and associations with color, texture, movement, resonance, temperature, shape, smell, solidity, and sound to describe emotional experience we’d introduce purple prose into our writing. Since this seems to be a common concern which comes up in many of the classes I teach on emotion, and since just the fear of introducing purple prose might be holding some people back and keeping them from writing strong, emotional experiences for their characters, I thought I’d address that concern here.

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Free Book Promotion Offer For Writers

Everything, Freebies For Writers, Writing June 5, 2016

I have created a new Twitter account for the express purpose of promoting books. At this point this is mostly something I am doing for current and former students, authors published by Black Velvet Seductions, and other friends who’ve written books or short stories they want to promote. The types of promotions I will be tweeting through the new Twitter account are very specific.

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Why I Favor And Teach Writing In Layers

Everything, Writing, Writing Tips June 4, 2016

When I think about writing I think of it as being a lot like juggling. When we are constructing a story we have many elements to juggle. There are the bits that form who our characters are…there are character goals some of which change throughout the story and some of which stay the same…there are the ways that the characters themselves change and grow and the ways that they stay the same…there are all the plot points that define the relationship journey…there is romantic tension, emotional tension and sexual tension which all have to be balanced. There are several kinds of conflict that need to be understood, linked, and used to fuel the conflict and the romantic, emotional, and sexual tension.

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The Basic Romance Novel Plot Line For Pantsers

Everything, Writing, Writing Tips May 7, 2016

I am teaching a workshop on developing emotional and sexual tension in the romance novel this month at OIRWA. I posted a slightly longer and more in depth version of this post in the workshop on Thursday. One of the comments on the lesson was that it provided a good description of the turning points in a romance novel–and that it provided just enough of a sense of structure that the pantser could use it as a guide while retaining the fluidity of pantsing. That made me think that some of those who read this blog might find it useful also. So…here it is in a slightly altered form for the blog.

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